Journal
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Annual Layers - Jonathan Kline
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Jonathan Kline’s process is dedicated to the woods that surround his homestead near Trumansburg, New York. This spring we had the opportunity to visit Jonathan’s studio and home, and were inspired by the wholistic simplisity of his lifestyle and creative process. On view in Germantown, NY this summer. -
Layers of Abstraction - Matthew Johnson
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On assignment — a conversation with our friend, photographer Matthew Johnson about wayfinding, influences, and a dive into editorial work with our last campaign.
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Legacy : Pace / MacGill Archives - Peter MacGill
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In celebration of father’s day, our latest journal features a conversation between Mary & her father, Peter MacGill, where he shares insightful anectodes from his expansive career as a gallerist.
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Sarah Rhymes With Clara - Susan Paulsen
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Revisiting her book “Sarah Rhymes With Clara”, our latest journal features an interview between Mary and her mother, photographer Susan Paulsen. A thoughtful conversation exploring the inextricable roles of the muse, place, home, and family. -
Rae Wilson - Working with Impermanence
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Introducing our newest ceramicist, Rae Wilson. We worked with Rae as a model for our early Spring concept and found that her work and creative process resonated beautifully with our world. -
Chris Mottalini - Here is the House
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A look inside Chris Mottalini’s 1950’s-era stone house in the Hudson Valley. He shares his journey photographing houses. In his words “Places that feel a bit rougher, somewhat handmade. Just real places… which happen to be designed by geniuses.” -
Sylvia Estes - Perfectly Good Paper
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A closer look at Sylvia’s sculptural process - transforming the refuse of daily life into organic vessels and curved light fixtures that direct illumination and space anew. -
Ariela Nomi Kuh - Returning to The Imperfect
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A closer look at ceramicist Ariela Nomi Kuh’s process in her Portland, ME Studio. -
Embodied Era - Modern Interpretations of Historic Subjects
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Gallery recap: Inspired by traditions of craft and storytelling, Kuh and Cusack present interpretations of how the human form has been portrayed and articulated over time.
